A popular song means a very powerful marketing launchpad. By using music as a medium, the aim is to make complex crypto-related terms more relatable and appealing to onboard non-crypto users.
This is the total amount allocated to A crypto-themed techno song featuring Cardano's branding.
Jorge Alfonzo Arteaga (Jaxxtone)
STRAAW
A web3-themed song, which appears on main search engines (Google, Youtube, Spotify, etc.) when searching for blockchain-related words boosting Cardano's visibility.
No dependencies.
It doesn't apply.
It doesn't apply.
Thousands of new solutions are popping up in our ecosystem, tooling is improving, and so is the number of devs building on Cardano. The missing piece is to onboard more users, and music is a universal language to reach new audiences through their hearts.
Music is an influential communication channel that has the power to evoke positive emotions and create a sense of connection with its listeners. Web3 terms might be boring or scary for non-technical users. However, introduced through enjoyable and high-quality songs it's easier to make blockchain-related words look more familiar and even cool. Crypto and non-crypto listeners will associate a particular song with Cardano, helping to reinforce key messages and create a lasting positive impression.
After extensive market research, I concluded that the SEO of blockchain-related keywords is wide open for first movers. This means that it's fairly easy to come up as the leader media content result in all searches.
Leveraging the metric-tracking features provided by various media platforms such as YouTube, Spotify, and others, enables a straightforward demonstration and validation of the song's impact.
A popular song means a very powerful marketing launchpad. Also, music has the power to reinforce a sense of identity and belonging among its members. It's a common ground that facilitates social bonds and strengthens the Cardano community's unique identity.
The goal of the song is also to showcase the power of all music-related projects, protocols, and dapps building on the Cardano ecosystem.
By analyzing the streaming data on platforms like Spotify, Apple Music, or YouTube and tracking the song's mentions, shares, and engagement on social media platforms will allow us to determine the song's popularity and reach. Furthermore, creating a song might catch the attention of big artists beyond the crypto community, increasing the chances of reaching a wider audience and leading to greater media exposure.
Finally, if the song makes enough revenue in streams to pay back the funds for this proposal I will gladly return them to Catalyst to reinvest it in the growth of the ecosystem.
My social media engagement metrics serve as tangible evidence of my ability to connect with crypto and non-crypto audiences through guerilla marketing campaigns. I successfully produced and released an original crypto-themed single (electronic music) in collaboration with one of Diplo's producers.
I also collected valuable experience when I recorded a Christmas Cover and produced a music video last year, which will be key to delivering high-quality content. I am committed to leveraging my resources, marketing knowledge, connections, strategic planning, and active community engagement to ensure the success of this project.
The decision to feature non-crypto-related artists aligns with a broader strategic goal of expanding Cardano's reach to wider audiences.
As a social media influencer, SPO, and Co-Founder of VAULT3, failing to fulfill my commitments brings a substantial risk: this would compromise the reputation, efforts, and credibility I have cultivated within the community in one and a half years.
Kickstart Phase:
Song Recording Phase:
Mixing and Mastering Phase:
Marketing and Release Phase:
Carolina Isler (La Petite ADA): Artist, Singer, Songwriter, Concept Creator, and Marketeer.
Jorge Alfonzo Arteaga (Jaxxtone): Producer, Mixing engineer, Master engineer.
STRAAW: Producer, Mixing engineer, Master engineer.
Total of ADA: 16â250
Budget breakdown:
Music Production: ADA 12â500 (âŹ5,000)
Mixing and Mastering: ADA 2'500 (âŹ1,000)
Marketing Campaign on X (1-2 weeks): ADA 1â250 (âŹ500)
A song production needs at least 2-4 hours of work per week until its release (all participants involved).
These 2-4 hours include: (a total of 48-96 working hours)
This does NOT include the working hours for the marketing campaign and content creation on social media. If you break down the hours against the production's cost, you'll find the hourly rate is less than âŹ20 per person.
I calculated the costs based on my last song production, and considering the amount of hours worked by all the participants.
The aim of this initiative is to put Cardano on the map in the music industry. By showcasing an example to musicians worldwide and encouraging them to explore the music protocols being developed on Cardano (NEWM). Showing musicians that they can still follow their passion while diving into cutting-edge tech.
The song is projected to reach hundreds of thousands of people (millions in the best-case scenario). For this production price, it would be impossible to reach this amount of people organically using paid social media ads, which are often ineffective and usually a waste of money.
This proposal is a guerilla marketing approach, and I hypothesize that it will give Cardano a strategic advantage by becoming one of the first Blockchains featured on a song. Furthermore, this initiative could spark the interest of renowned artists and musicians, giving Cardano an advantage over other blockchains.
I am collaborating with Jaxxtone, an experienced and well-connected music producer who directly works with world-class DJs like Diplo and Major Lazer, and STRAAW a talented and experienced music producer with an Instagram community of more than 7k non-crypto followers and approximately 22k monthly listeners on Spotify.